Arshad Kafil, one amongst thousands of artisans whose livelihood has suffered a setback.
Kafil is an artist who specialises in the art of ‘tarkashi’ or ‘wire-inlay work’ that is done on wood carvings. The work requires great degree of concentration and precision. Designs are first carved into wood using a small nail and hammer. A wire is then hammered into the carvings. The overall effect created is that of a royal and medieval looking piece of art. For the great work he has done for this art, Kafil even received a National Award in 2003.
Despite the honours he has been bestowed with, the skill and craft of people like Kafil is on the verge of becoming extinct. One of the primary reasons for the pathetic state of these craftsmen is the sheer negligence and complacent attitude of both the government and the masses. He laments that “since I have won the award, only 25% of the artists who are associated with such art forms remain”.
His life has come a long way since then. Now, he is no more received as an artisan everywhere. In fact, he is saddened by the fact that in today’s time, “the artists are placed at a pedestal equivalent only to a labourer”. The buyer no more respects the time and effort that is needed for expertise in such an art. All they care about is the end product and not the process that goes into making these beautiful pieces of art.
It is indeed disheartening to see that the government is not making any vigorous efforts to help these artisans, even after they give them high civilian honours like the National Award. Owing to the lack of sufficient work and decreasing value being credited to his work, Kafil’s livelihood has been seriously affected. He can no longer earn the same amount from his work as he used to. On being asked if his children will follow his footsteps and take up the craft, he says that he will definitely teach his children the work, just for the sake of passing on his craft. But he will make sure that they take up some other form of employment that is more stable and rewarding.
There is a desperate need to introduce more platforms to protect and propagate the indigenous art forms of our country. The government needs to work towards this in tandem with the artisans and the non-profit organisations that work for these artists and their craft. This shall play a pivotal role in protecting the rich cultural heritage of India.
Hi, I wanted to get in touch with Mr Arshya’s Kafil as I want to explore a potential to work with him on a project. Could you share any information you have on how I can get in touch with him please?
Hi Shivani, unfortunately we aren’t in touch with Mr Kafil. However, there are several websites seem to be selling his artworks. You may contact them, they might have some information about him.