This year, the 57th Shankar Shad Mushaira carries an added sense of anticipation. A “sea of Urdu poetry lovers” is expected to attend, drawn by a line-up that includes names like Javed Akhtar, Waseem Barelvi, Sheen Kaaf Nizam, Iqbal Ashhar and Shakeel Azmi—poets whose words have shaped contemporary Urdu expression. Their presence ensures that the evening will move fluidly between the classic and the contemporary, between nostalgia and sharp observation.

What makes the 57th Shankar Shad Mushaira endure, however, is not just its line-up but its legacy. First held in 1954, the mushaira has remained a constant in Delhi’s cultural life, organised in memory of Shankar Lal and Lala Murli Dhar, patrons of Urdu poetry whose vision continues to shape the event today. Over decades, it has evolved into a platform that reflects a truly pan-India poetic voice, with participants travelling from cities across the country to be part of the evening.

And yet, despite its scale and stature, the 57th Shankar Shad Mushaira retains the intimacy that defines a true mushaira. The format remains unchanged: poets recite, the audience responds, and somewhere in that exchange, poetry becomes a shared experience. A well-crafted sher does not simply end—it lingers, repeated on request, carried forward by the collective voice of the room.

In many ways, the 57th Shankar Shad Mushaira is a reminder of something increasingly rare: the joy of listening. Not scrolling, not skimming—but sitting with words as they unfold. And in that space, between a poet’s pause and an audience’s “wah wah,” Delhi rediscovers one of its most enduring cultural rhythms.

56th Shankar Shad Mushaira

The previous edition of the Shankar Shad Mushaira unfolded much like the tradition promises—unhurried, immersive, and deeply engaging. The hall was filled with an audience that knew exactly what it had come for: an evening of poetry that could move between humour, heartbreak, and sharp social observation without missing a beat. Established poets held the room with their command, while newer voices brought a refreshing immediacy, making the line-up feel both rooted and current.

What stayed with many from the event 56th Shankar Shad Mushaira was the energy in the room. Listeners didn’t just sit through the recitations—they leaned in, reacted, and often anticipated the punch of a sher before it fully landed. Familiar calls of “wah wah” rose organically, sometimes stopping a poet mid-flow as the audience asked for a couplet to be repeated. It was this easy, unspoken exchange between stage and seats that turned the evening into something more than a programme—it felt shared, almost collaborative.

You can watch the event live on their YouTube Channel here

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The First Five: A Journey Through Time

Its story begins over a thousand years ago when it was established as Indraprastha, the mythical capital of the Pandavas from the Indian epic, the Mahabharata. The city was then known as ‘Dhillika,’ which later evolved into ‘Delhi.’ It was the first of many rebirths.

Subsequently, the city saw the rise and fall of several empires, including the Mauryas, Guptas, and the Mughals. But it was the advent of the Delhi Sultanate in the 13th century that set the stage for a series of destruction and rebirth.

The city’s fortresses and grand structures were razed by invaders like Muhammad Ghori, Timur, and others. Each time, Delhi emerged from the ashes, rebuilt by its resilient inhabitants.

The Mughal Magnificence: A Cultural Renaissance

The Mughals, with their artistic sensibilities and grandeur, brought the city to a new zenith. The Red Fort, the Jama Masjid, and the Humayun’s Tomb are just a few of the architectural masterpieces that still grace the city today. It became a symbol of cultural fusion, with Persian, Turkish, and Indian influences intermingling.

During this period, the city’s culture blossomed, nurturing poetry, music, and art. The Mughal emperors were great patrons of the arts, and this cultural heritage is still visible in the city’s bustling bazaars and the soul-stirring qawwalis echoing through the narrow lanes of Old Delhi.

The British Era and Independence: A Struggle for Identity

The British colonial period brought a new chapter to its history. The city was witness to the Indian struggle for independence, and it became a melting pot of ideas, ideologies, and movements. The grandeur of Lutyens’ Delhi emerged alongside the aspirations of a nation yearning for freedom.

The city was officially declared the capital of India in 1911, cementing its status as the seat of political power. This momentous decision set the stage for the birth of a new, independent India in 1947.

Modern Delhi: A Vibrant Metropolis

Today, Delhi stands as a modern metropolis with a rich tapestry of history woven into its very fabric. The city’s seven rebirths have left behind a mosaic of architectural marvels, from ancient tombs and forts to colonial-era buildings and contemporary skyscrapers.

But beyond the physical structures, Delhi’s culture is a reflection of its resilience. Its people are a testament to the spirit of survival and adaptation. The city’s diverse population brings together traditions from every corner of India and the world, creating a vibrant blend of languages, cuisines, and customs.

Delhi’s story is a story of resilience, rebirth, and reinvention. It’s a city that has risen from the ashes not once or twice but seven times, each time emerging stronger, more magnificent, and more culturally enriched. It is more than just a city; it’s a living, breathing testament to the indomitable spirit of humanity.

In Delhi, the past coexists harmoniously with the present, and every stone tells a tale. It’s a city where history is not just preserved in museums and books but is lived and celebrated every day, reminding us all that no matter how many times life knocks us down, we can always rise again, just like the resilient phoenix that is Delhi.

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History of Malcha Mahal

Malcha Mahal, also known as Wilayat Mahal, stands as a poignant reminder of the grandeur and glory of the bygone era. Constructed in the early 17th century during the Mughal period, this elegant palace served as a hunting lodge for the royal families. Situated within the serene and sprawling Lodhi Gardens, the Mahal is a testimony to the architectural brilliance and artistic finesse of that era.

The tale of deception

For over 40 years, a captivating story about the mysterious and reclusive royal family residing in Malcha Mahal persisted among foreign correspondents in New Delhi. The widowed Begum Wilayat, along with her children, Princess Sakina and Prince Ali Raza (also known as Cyrus), claimed to be the descendants of the Nawab of Oudh, Persian nobility, and the rulers of a kingdom in northern India until 1856.

However, an astonishing revelation recently emerged, shattering the carefully crafted family legend. Investigative journalist Ellen Barry, in her article published in the New York Times, uncovered the truth behind the enigmatic family. The Begum Wilayat and her children were, in fact, imposters, not descendants of the royal house of Oudh.

The Begum arrived in New Delhi in the early 1970s, demanding the return of her ancestors’ looted wealth and property. Squatting in a VIP waiting room for almost a decade, she captured attention with her eccentric demands. Eventually, the family was granted Malcha Mahal, where they resided from 1985 onwards.

Their lives in Malcha Mahal were filled with poverty and eccentricity, as they gave rare interviews expressing their grievances against the British and Indian governments. The Begum was alleged to have committed suicide in the 1990s, while Princess Sakina passed away in 2016. Cyrus, Barry’s key contact and friend, reportedly died of dengue fever in late 2017.

The unraveling of the legend

Barry’s extensive research revealed that the Begum, prior to partition, was the widow of a civil servant named Inayatullah Butt in Lucknow, the former capital of the Oudh region. After her husband’s death, she was admitted to a mental hospital in Lahore before declaring herself the Queen of Oudh. While her younger children believed her claims, her eldest son, Shahid Butt, left for England in his teens and secretly supported the family financially.

Relevance in today’s world

Despite the deception surrounding the Begum and her children, the Malcha Mahal retains its historical significance and allure. It serves as a metaphor for the complexities of identity, the consequences of partition, and the human desire for a regal past. The palace’s dilapidated state also highlights the importance of preserving and restoring historical sites, reinforcing the need to cherish our cultural heritage.

The legend lives on

The urban legends and mysteries associated with Malcha Mahal intertwined with the deception of the Begum and her children, continue to intrigue visitors. The story of their fabricated royal lineage and the subsequent unraveling of the truth add another layer of fascination to the already enigmatic palace. While the legend of Malcha Mahal may have been shattered, its allure remains intact, inspiring curiosity and reflection.

Malcha Mahal, with its captivating history and the tale of deception, stands as a testament to the complexities of human existence and the power of legends. Despite the revelations, the palace’s architectural beauty and its location within the enchanting Lodhi Gardens continue to attract visitors seeking a glimpse into its past. As we unravel the truth behind the legend, Malcha Mahal serves as a reminder of the importance of authenticity and the preservation of our cultural heritage, allowing us to reflect on our shared history and the stories that shape our present.

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The inauguration ceremony and mascot unveiling

During the opening ceremony, Prime Minister Modi will unveil the expo’s mascot, an image of the prehistoric dancing girl found in Mohenjo-Daro. The mascot will be stylised in the form of Channapatna toys. Additionally, several items will be inaugurated, including a graphic novel on museums, a directory of Indian museums, a pocket map of Kartavya Path, and a deck of 75 cards showcasing various museums across India.

Virtual walkthrough of the upcoming National Museum

As part of the inauguration, Prime Minister Modi will also launch a virtual walkthrough offering a glimpse into the upcoming National Museum located at North Block and South Block. The museum, named Yuge Yugeen Bharat National Museum, will exhibit India’s rich civilisational culture spanning over 5,000 years.

Exhibitions and cultural activities

The International Museum Expo will host three exhibitions. The first exhibition will feature 75 “star objects,” artifacts drawn from renowned collections of over 25 museums and institutions across India. The second exhibition will showcase covers of books and publications, including those from the pre-Independence era. The third exhibition will present the Ragamala Series.

Launch of ‘Indian Museum Tycoon’ video game

On the day of the inauguration, a 12-level app-based video game called ‘Indian Museum Tycoon’ will be launched. The game will be available on both Android and iOS platforms, offering an interactive and educational experience.

Participation and collaboration

The International Museum Expo is expected to witness significant participation, with approximately 1,200 museums from across India joining various segments of the event. Participating countries include the UK, the US, France, and Russia. Culture and tourism ministers from different regions of India will also be present.

‘Museum on Wheels’ and cultural spaces

As part of the event, the Ministry of Culture, in collaboration with the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya in Mumbai, has created a ‘museum on wheels.’ This mobile museum will tour the National Capital Region, making museums more accessible to the public. Additionally, memorandums of understanding (MoUs) will be signed with nodal departments in New Delhi, Mumbai, Kolkata, Varanasi, and Ahmedabad, marking the establishment of five cultural spaces.

Also Read: Five best museums to visit in Delhi

The International Museum Expo aims to celebrate India’s cultural heritage and commemorate International Museum Day. With a wide range of activities, exhibitions, and collaborations, the event will showcase the diversity and richness of India’s museums. Visitors can look forward to an immersive experience that promotes cultural appreciation and understanding.

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The ancient marvel

Dating back several centuries, Agrasen ki Baoli is a unique architectural marvel that showcases the architectural prowess of ancient India. This stepwell consists of intricately carved steps leading down to a water reservoir, reflecting the ingenious engineering skills of its creators. Despite the passage of time, the Baoli’s structure remains intact, standing as a remarkable testament to its enduring legacy.

Historical significance

Agrasen ki Baoli holds immense historical significance, believed to have been constructed during the Mahabharata era. Although its exact origins are shrouded in mystery, historical evidence suggests that it was rebuilt by the legendary king Agrasen, of the Agrawal community, in the 14th century. It served as a vital source of water and a meeting place for the locals, offering respite from the scorching Delhi heat.

Architectural marvel

Baoli’s architectural design is a testament to the brilliance of ancient Indian architecture. The symmetrical arrangement of steps, adorned with delicate carvings, showcases the intricate craftsmanship of the artisans of that era. Its underground chambers and arched alcoves add an air of mystery, inviting visitors to explore its depths and unravel its secrets.

Urban legends and folklore

Agrasen ki Baoli is steeped in captivating urban legends and folklore, which add to its mystique. Legend has it that the Baoli was once inhabited by malevolent spirits, echoing with eerie whispers and ghostly apparitions. The enchanting ambience of the Baoli has inspired numerous tales of haunted encounters, making it a magnet for thrill-seekers and avid ghost hunters.

Relevance in modern times

Beyond its historical and architectural significance, Agrasen ki Baoli continues to hold relevance in the contemporary era. Today, it serves as a serene oasis amidst the chaotic urban landscape, attracting visitors seeking solace and tranquility. Its mesmerizing ambiance has also made it a popular shooting location for movies, blending the old-world charm with the glitz of the silver screen.

Also Read: Did you know Delhi is called the ‘City of Djinns’?

Conservation efforts

Preserving this historical treasure has been a priority for the authorities and conservationists. Efforts have been made to restore and maintain the Baoli, ensuring its longevity for future generations. The Archaeological Survey of India (ASI) has taken steps to safeguard its architectural integrity and prevent encroachments, allowing visitors to experience its grandeur firsthand.

Overall, Agrasen ki Baoli stands as a living testament to Delhi’s rich historical past, with its timeless architecture and intriguing urban legends. This hidden gem offers a glimpse into the engineering brilliance and cultural heritage of ancient India. As visitors descend its steps, they embark on a journey that transcends time, immersing themselves in the mystique and allure of this extraordinary architectural marvel. Agrasen ki Baoli is not merely a historical landmark; it is a window into Delhi’s glorious past and a reminder of its enduring legacy.

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Exploring the Margam

The ‘Margam’ is a collection of traditional classical dance compositions that involve evocative imagery and emotions. A Guru demonstrates this path to the disciple, who then spends several years mastering it. After spending several years on the ‘Margam,’ the aspiring dancer can choose her own path, making her own individualistic statements and artistic choices.

Tradition and innovation

Rama Vaidyanathan’s latest choreography delves into the decisions she has made to give her voice to the traditional repertoire. “Any tradition needs to evolve, and that can happen only if it is constantly pulsating with new creations and renewed energies. ‘New Dimensions to the Margam’ is an endeavor to synergize tradition and innovation,” said Vaidyanathan.

Honouring her mother

The event is dedicated to Vaidyanathan’s mother, Madhavi, who was always supportive and encouraged her daughter to explore new avenues in dance. “And what better opportunity to present it than this event dedicated to my mother Madhavi who made me the dancer I am. She was always the one who would encourage me to push myself to get out of my comfort zone to explore new avenues in dance,” Vaidyanathan said.

The performance

Rama Vaidyanathan will perform the choreography alongside her disciples Kavya Ganesh, Reshika Sivakumar, Shubhamani Chandrashekar, and Vaishnavi Dhore to the musical renditions of Anugrah Lakshmanan on vocals, Sannidhi Vaidyanathan on mridangam, Vishwesh Swaminadhan on violin, and Ashwin Subramanian on Nattuvangam and Kanjira.

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Singh, a renowned writer and historian, was born in Delhi in 1915, and he spent most of his life in the city. His love for Delhi is evident in every word he writes. He has a way of bringing the city to life, making it seem like a character in its own right. Through his vivid descriptions, he paints a picture of Delhi that is both alluring and complex.

Delhi by Khushwant Singh: Parts of the novel

The book Delhi by Khushwant Singh is divided into two parts, ‘The Historical City’ and ‘The Contemporary City.’ In the first part, Singh delves deep into the history of Delhi, starting from its earliest days as Indraprastha, the capital of the Pandavas. He then takes us through the various dynasties that ruled Delhi, including the Mughals, the British, and finally, independent India.

Through his words, we get a glimpse of the grandeur and beauty of Delhi’s past. The Qutub Minar, the Red Fort, the Jama Masjid, and the Humayun’s Tomb are just a few of the many monuments that Singh writes about. He brings these monuments to life, giving them a personality of their own.

But Singh does not shy away from the darker aspects of Delhi’s history. He talks about the brutalities of the rulers, the invasions, and the massacres that took place. He talks about the destruction of temples, the forced conversions, and the atrocities committed against the people. He brings to light the fact that Delhi’s history is not just a story of grandeur but also of bloodshed and oppression.

Delhi by Khushwant Singh: Second part of the book

In the second part of the book, Singh takes us on a tour of the contemporary city. He talks about the changing face of Delhi, the politics, the people, and the culture. He writes about the emergence of ‘New Delhi’ and how it transformed the city. He also talks about the social and cultural changes that took place in the post-independence era.

His love for Delhi is evident throughout the novel Delhi by Khushwant Singh, and he captures the spirit of the city in every chapter. He talks about the people of Delhi, their warmth, their wit, and their resilience. He talks about street food, festivals, music, and art. He paints a picture of a city that is both traditional and modern, both chaotic and serene.

Delhi by Khushwant Singh is not only a love letter

But the book is not just a love letter to Delhi. Singh is also critical of the city and its problems. He talks about pollution, traffic, corruption, and inequality. He highlights the challenges that the city faces and the need for change.

Overall, Delhi by Khushwant Singh is a fascinating read. It is a book that captures the essence of a city that is both beautiful and complex. Singh’s writing is engaging, and he has a way of bringing the city to life. Whether you are a Delhiite or someone who has never visited the city, this book is a must-read. It will give you a deeper understanding of Delhi and its history, people, culture, and the challenges the city faces in the modern era.

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The Partition Museum in Amritsar, Punjab, was the first museum dedicated to Partition and opened in 2017. The new museum in Delhi will act as an extension of the museum in Amritsar, allowing visitors to delve deeper into the events leading up to the partition, its impact on the people of India and Pakistan, and the stories of loss and displacement experienced by those affected.

The exhibits at the Partition Museum in Delhi are spread over several floors and cover a wide range of topics related to the partition, from the political and social causes of the event to the human stories of loss and displacement. The museum’s focus on personal narratives provides visitors with a vivid and emotional insight into the experiences of those who were affected by the partition.

One of the most striking features of the Partition Museum in Delhi is the way it uses personal stories to tell the story of the partition. The museum has collected hundreds of oral histories from people who lived through the partition, and these stories are incorporated into the exhibits in various ways. Visitors can listen to these stories on audio guides or read them on interactive screens.

The Partition Museum in Delhi also contains a number of interactive exhibits that help visitors to understand the impact of the partition on the lives of ordinary people. Among the collection’s highlights is a signed land deed from refugees fleeing from Pakistani Punjab and an Independence-era electricity meter from Lahore. The museum will also feature oral histories of Delhi citizens recounting their experiences during the mass migration, providing visitors with a more personal insight into the events.

The Partition Museum in Delhi is an important and timely addition to India’s cultural landscape, providing a much-needed space for the public to learn about and reflect on one of the most significant events in the country’s history. The museum’s focus on personal stories and interactive exhibits makes it an engaging and emotional experience for visitors.

Also Read: Lutyens’ Delhi and its shadow on India’s colonial heritage

The story behind the Partition Museum in Delhi

The Partition Museum is located in the historic Dara Shikoh Library, which was built in the mid-17th century by Dara Shikoh, the eldest son of Mughal Emperor Shah Jahan. The library was named after Dara Shikoh, who was a renowned patron of the arts and a scholar of Sufism and Hinduism. The library was later used as a courthouse by the British and then as a government office after India gained independence in 1947.

The Dara Shikoh Library building has a rich and varied history. Under British rule, it served as a British Residency for David Ochterlony, Archibald Seton, and Charles Metcalf. In the 20th century, the property was repurposed several times, including as a school, a polytechnic, and as the offices of the Delhi State Archaeology Department.

Eventually, the Arts and Cultural Heritage Trust (TAACHT) was entrusted with the building under the ‘Adopt A Heritage’ scheme by the Department of Art, Culture, and Languages, to set up the Partition Museum. The restoration and conversion of the building into a state-of-the-art facility that commemorates the Partition of India is a testament to the importance of preserving cultural heritage in the region.

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